Obscuration: The Systematic Erasure of African Histories and Mythologies

Obscuration of history. Obscuration of mythology. Obscuration of religion, culture and traditions. And that's even the half of Africa's loss.

Chinenye Egbuna Ikwuemesi

11/30/20243 min read

An image of the obscuration of the deities by the forced religion of colonialism and capitalism
An image of the obscuration of the deities by the forced religion of colonialism and capitalism

Obscuration: How African Mythology Was Suppressed and Why It Survived

Myths do not disappear by accident. They are removed.

In Africa, the colonial project was not only economic and political. It was epistemological. The deliberate suppression of Indigenous histories, cosmologies, and mythologies was not incidental to colonisation. It was a precondition for it. You cannot convince people they need saving if they already have a complete account of who they are, where they came from, and what the world requires of them. The mythology had to go first.

This suppression had a name, though it was never called by one at the time. Obscuration. The deliberate distortion or erasure of cultural narratives to make room for foreign ones. In the African context it operated on multiple fronts simultaneously: dismissing Indigenous beliefs as primitive or pagan, destroying the physical sites where those beliefs were practiced, eliminating the people who carried them, and replacing everything with Christian or Islamic frameworks that reframed African spirituality as superstition at best and devil worship at worst.

What made the African experience distinct was the thoroughness. In other colonised regions, some cultural material was preserved, studied, even romanticised. Norse mythology survived British colonialism. Greek mythology was adopted wholesale by Rome and then by Europe. African traditions were suppressed with a specificity that targeted not just the beliefs but their custodians. Priests, diviners, griots, the people whose life's work was to remember accurately, were eliminated. When you remove the archive and the archivist simultaneously, you are not making a mistake. You are making a calculation.

The specific examples are instructive.

The Yoruba Orisa pantheon, led by Sango, Osun, Oduduwa, Obatala, was systematically targeted by Christian missionaries. Shrines were destroyed. The Orisas were reframed as devils. The Osun-Osogbo Festival was outlawed under colonial rule. Despite all of this, Yoruba belief did not die. It travelled. It became Santeria in Cuba, Candomble in Brazil, Vodou in Haiti. The suppression scattered it across the Atlantic and it took root everywhere it landed.

The Igbo tradition of Mbari houses, elaborate shrines built to honour deities and ancestors, painted with Uli designs, were razed by colonial officials who called them idolatrous. The physical destruction was also a destruction of knowledge. Future generations were left with fragments where there had been entire systems.

In northern Nigeria, the Hausa Bori spirits, central to a sophisticated spiritual tradition, were first suppressed by Islamic conquest and then dismissed entirely by European colonisers. Bori practice was driven underground. Its importance was buried under successive layers of official disapproval.

In each case the pattern is the same. The tradition is named, diminished, and then physically attacked. Not because it was threatening in a military sense. Because it was complete. A complete cosmology is a complete identity. A complete identity does not need what colonialism was offering.

And yet the stories survived. Not intact. Not undamaged. But alive. In the rituals that continued quietly, in the memories of communities that refused to fully let go, in the art and music and oral traditions that carried fragments forward through generations that were never supposed to receive them.

This is what the Afrodeities Institute exists to address. Not to mourn what was lost, though the loss is real and large. To excavate what remains, to restore its legibility, and to make the case that African mythologies belong in the global conversation about how human beings have understood the world. Not as curiosities. Not as supplements to the main story. As primary sources for some of the most sophisticated thinking about ecology, governance, time, and consequence that any civilisation has produced.

The myths of Nigeria, explored across the Igbo, Yoruba, Hausa, and Efik traditions in Nigerian Mythology: The Shadow Sky, are one place to begin. They endured obscuration. They deserve more than survival. They deserve serious attention.